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In the spotlight

Theatre Review: Stephen K Amos Everyman

Opening a gig for Stephen K Amos can’t be easy, says Cary Gee. But young Londoner, Kelsey de Almeida certainly gives it his best shot, and for the most part his aim is [...]

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Theatre review: Soho Cinders

November 5, 2019 // 0 Comments

Much like a classic sports car, writes Cary Gee, there is a limit to how much tinkering a classic fairy tale can undertake [...]

Theatre Review: Riot Act

July 11, 2019 // 0 Comments

To condense 50 years of gay liberation into a single hour of theatre is, of course, impossible, writes Cary Gee. So in his [...]
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